Wednesday, 23 March 2011

Integrated Theory and Practice: Semiotics

Iconic Signs 
resemble the object or action they represent, e.g: a hand washing sign.


Indexical Signs
have a direct link to what they are indicating. 
e.g: medical symptoms are a sign of an illness 
smoke is a sign of fire
the link is causal, as the fire causes the smoke, and the illness causes the visual symptom

Symbolic Signs 
may not look like, or have a link to what they represent, so we have to learn what they mean through constantly being shown a link between the two. 
e.g: the apple logo means nothing on its own but because we have seen it in context so many times, next to the macintosh branding and on the products, we now know it as a logo as well as a symbol. 


Signs can only be interpreted by looking at its at its context. The simpler they are, the more ambiguous the meaning, so its surroundings are needed in order to understand the message. 

A circle is so simple, that it could represent many things. However, if a point is added, it becomes another, more complicated shape, and so it can resemble a drop of liquid (even though a raindrop is spherical). 
A black, red or blue dot does not mean anything, but does connote certain ideas based on the colour. If the colour is then put along with another sign, such as the shape of a raindrop, it gives it a context, and so it can now resemble, and represent something. 
The black could mean oil, the blue; water, and the red; blood.


The signs on toilets are iconic, as they look like men or women. However, if they are not placed somewhere specific, such as a toilet door, they do not have enough meaning to convey a message. On the door, they can mean; 'mens room' or 'ladies room', or which we have learnt tends to mean toilets.
Then, with both symbols together, this then means unisex toilets. 
If these symbols were simply on a wall, they do not have enough other signs around them to signify a meaning. 
Here, I have combined symbolic and iconic signs (fire and smoke) to represent the idea of indexical signs (which have a causal link to what they represent). So, in this case, the smoke would be an indexical sign for fire, and fire is an indexical sign for combustion. 
The red circle with a cross through it would mean nothing on its own, without another sign within it, making it another symbolic sign. 


Friday, 11 March 2011

Integrated Theory and Practice: Information Design

"Form Follows Function"

Information Design, I find, is very much like architecture and product design, in the sense that it serves a purpose, facilitated by its aesthetic, by the form it takes. For example, an important document such as a bank statement is laid out in a precise grid, to make it as easy as possible to read and understand what money is going in, or going out, from who, and when. These categories are separated by single lines, in columns and rows.  If a bank statement was three-dimensional, it could be visualised as a building much like a block of flats; the windows being where each piece of information is entered, and the levels are transactions, and the columns of windows are the categories; date, paid in, paid out, etc. Then inside the building, are the rooms, also in a structured grid fashion, in order to make them equal in size and so that they fit in all the furniture and facilities needed.

American architect, "father of skyscrapers" Louis Henri Sullivan, coined the phrase 'form follows function' in 1896.  It came from his article 'The Tall Office Building Artistically Considered" in which he said;

'It is the pervading law of all things organic and inorganic,
Of all things physical and metaphysical,
Of all things human and all things super-human,
Of all true manifestations of the head,
Of the heart, of the soul,
That the life is recognisable in its expression,
That form ever follows function. This is law."


Louis Henri Sullivan
Prudential Building
New York 1894
















The Bauhaus tries "to derive the design of an object from his natural functions and conditions."
- Walter Gropius, 1925




Walter Gropius
F51 armchair
1920


'The F51 armchair is the first ever piece of Bauhaus furniture designed by Walter Gropius in 1920. The chair and sofa were designed for the director's office at Bauhaus school and quintessentially represent the philosophies of the early Modernist pioneers.'












Walter Gropius
Interior sketch

Bauhaus style of design, within architecture, furniture and print is highly functional; it serves the purpose which it was intended for, using its form to deliver, clearly and easily. This is the idea I believe to be extremely important in information design. It must be as clear and as easy to follow as possible, in order to put across the information quickly and directly.







"Form follow function- that has been misunderstood. Form and function should be one, joined in a spiritual union."
- Frank Lloyd Wright (American architect and writer 1867-1959)


Frank Lloyd Wright
1894


By this, I believe Wright means that a design should serve its purpose, while at the same time should take a form which also serves its aesthetic purpose. For example, his design, above, is structured, appears functional, while also having a minimalist style. It did not need to have two windows either side of the door, but the symmetrical design adds to the style.


The house below, however, has a very different style. It is curved and far more complicated and yet is functional as it has enough windows and enough space for living. The two tasks of a beautiful aesthetic and a functional form have been combined in 'a spiritual union'.


Frank Lloyd Wright
Walter H Gale house
1893















Theory based on Practice: Practice based on theory

Swiss graphic designer Willi Kunz creates precise, structured works.


Willi Kunz
Black and Decker 3D symbol 


This piece of design incorporates graphics and 3D products in a way which brings in structure.














Willi Kunz
catalogue design


I see this to be quite inspired by the term 'form follows function' in that it is highly structures within a grid format, minimal colour and has a clear typeface.  The information is easy to read with a clear visual hierarchy.
The bold orange strip, then the name, then the orange dot at the top, then the title of the book, and finally the details within the lines.
The lines, colour or dot are not needed but add to the interesting design and structure.








In the newest (March) Issue of Creative Review, the special featured designer is Gerd Arntz. His Isotype symbols are the perfect example of information design. Their form is their function; to communicate precisely an action or specific image, clearly and quickly which requires them to be instantly recognisable as a person or an object.


These symbols are clearly people drawing or writing. The linear work indicates the arms, face and pencil, while simple shapes show the person leaning forward, wearing a particular length of sleeve and with a specific hair style. These designs allow one colour to be used, and are clear enough to be used small or large. 

Information design in signage has an important function to be universally recognisable and compressive.
E.g; Exit sign




'Party Starter'

Dan and I have produced a stop motion viral video to promote a fizzy drinks company's new can-top speaker; the party starter.
here's the cast:

Here's the ad:



Party Starter Advert from Daniel Cooper and Emma Quirk on Vimeo.

Monday, 7 March 2011

Friday, 4 March 2011

Book Cover Design: The Book Of General Ignorance

Re-designing the cover for this book proved very exciting- there was so much imagery to go on, as the book is so full of varied facts, on many different topics. As it is based on a comedy entertainment TV programme, i decided to go for a humorous approach. The original cover was not so enticing, nor inviting to those who many not have seen the programme, as the images were of the people which it features. I wanted to put across the intrigue which I experienced while reading the book, and in turn attract a new audience of inquisitive people by designing an interesting, comical and vibrant cover.

original cover:


Sketches:


My Emotional Chameleons:
This book is full of facts, which are commonly misconceived, put right. Their strap line sums this up: 'everything you think you know is wrong'.
Chameleons are thought to change colour to blend into their environment, but this not true. They in fact change colour depending on their emotional states. This is what inspired my bold, child-like illustrations of chameleons, to make fun of those who have 'general ignorance', in a innocent, comical way.

My final design:


Thursday, 3 March 2011

MMM mac

I really do love my mac....

.... enough even to make it a late valentines card.

Tuesday, 1 March 2011

Pre-Raphaelites

The Poetry of Drawing: Pre-Raphaelite Designs, Studies and Watercolours

http://www.bmag.org.uk/events?id=1038

A fantastic, breathtaking exhibition!

Some of my favourites (photographs from exhibition book)


William Mulready
seated male nude mid 1850s
red and black chalk on wove paper

- i would never have thought of using red and black chalk! works so well!

Francesca Alexander
Rispetti

beautifully detailed!
Max Beerbohm
Dante Gabriel Rossetti in his back garden
1904
something a bit different...

Florence Claxton
The choice of Paris: an Idyll
1860
it seems so modern for this time!

Edward Burne-Jones
The good Shephard (stained glass design)
1861
can you spot the pokemon ball? CHARAZARD GO! haha


William Holman Hunt
The finding of the saviour in the temple
1854-60 oil on canvas

Russell Brand was destined to be famous!
Can you spot him in the picture above?